The library
The finished sizzles, in every approved cut. These are the reference for what the treatment below looks like in motion.
INTELLIGENCE Sizzle
The AI reel. INTELLIGENCE gradient treatment throughout.
Landscape master for web, decks, and events.
Download MP4Agency Reel 2026
The agency sizzle in three cuts. Pick by how much runway the placement allows.
The full cut with the complete intro. Default for presentations and first viewings.
Download MP4Treatment
- Grounds. CRAFTSMAN BLACK or the CRAFTSMAN+ MINIMAL GRADIENT. Product segments may use CRAFTSMAN+ GRADIENT DARK or INTELLIGENCE DARK.
- Type. Inter only, set to the type scale. Titles enter on
--ease-out-quart, settle, and hold. No word-by-word pops, no typewriter effects. - Color. Monotone plus Orange and Pink, per the hierarchy. The INTELLIGENCE gradient appears only in AI segments.
- Pace. Cuts breathe. Hold a UI moment long enough to read it. Music drives energy; the edit stays calm.
- Grain. The film grain reads on video exactly as it does on the site: present, never noticeable.
- End card. Wordmark on CRAFTSMAN BLACK or the CRAFTSMAN+ MINIMAL GRADIENT, clear space respected, one line of copy at most.
Captions and title cards
Everything written on screen follows the voice and naming rules without exception. Title cards state mechanisms, not superlatives. If a card reads like a slogan, replace it with what the product just did.
Duration and easing
Video motion uses the same two curves as UI, scaled up: entrances around 600ms, holds measured in seconds, ambient drift at 8s or slower. Nothing loops for attention.
Choosing a cut
The Agency Reel ships in three cuts for a reason. Match the cut to the runway:
| Cut | When |
|---|---|
| Original | Presentations and first viewings, where the intro sets the room. |
| Short Intro | Audiences that already know CRAFTSMAN+. |
| No Intro | Loops, booths, and embeds, where the first seconds decide everything. |
The INTELLIGENCE sizzle ships 16:9 for web, decks, and events, and 9:16 for stories, reels, and vertical placements. Do not crop one orientation from the other; the cuts are composed separately.